Rainforest Walk - with Central Westcoast Forest Society West Coast N.E.S.T.

Birding on the Mudflats Raincoast Education Society — Birding on the Mudflats with the Raincoast Education Society
May 01
In partnership with BC Nature and Hotel Zed, the Raincoast Education Society will be hosting a ‘Birder in Residence’.

Community Carving of A Traditional Nuu-Chah-Nulth Log Drum
May 02
Join the Carving on the Edge Society for their Carving on the Edge Festival events!

Bending Bent-Wood Boxes Demonstration (session 1)

Join the Carving on the Edge Society and Peter Wayne Gong in this 1h demonstration of how to bend bent-wood boxes.

Event by donation

Peter Wayne Gong

I grew up in Ruskin, B.C. on the Whonnock Reserve #1. My family on my mother's side are direct descendants of the people who lived on the Stave River, a tributary of the Fraser River. Though I grew up in Ruskin, I am a member of the Squamish Nation, which is situated in North Vancouver, B.C. As a child I spent many days on the Fraser River netting salmon with my uncle. He would set his net, and we would wait for the floats to go down. This would indicate salmon hitting the net. During this time, my uncle would tell me the stories that were passed on to him.

Since then, I have had a strong interest in my culture. I first started to learn to carve when I was a teenager. I learned from my uncle, Jack Miranda. He taught me how to carve ivory and wood and how to make my own tools. I now carve mostly red and yellow cedar, as well as alder and birch. I also have to credit my two teachers, Sean Hinton and Tom Patterson, for the progress I made with my art in the last two years.

As an artist I want every piece to be better than the last and always strive to do the best I can. Since 2009 I have worked with my nephew on two projects as a volunteer. The first was a house pole that was gifted by Mission City, B.C. to its sister city, Oyama, Japan, where it now proudly stands with Mt. Fuji in the background. The second project was two welcome figures, one male and one female, 18 feet tall and 3 1/2 feet in diameter, carved for B.C. Hydro for the 2010 Olympics in Vancouver, B.C. They now stand welcoming guests to B.C. Hydro's main office foyer in Vancouver, B.C. I also worked as an apprentice for George Pennier on a project for the new emergency waiting room at Chilliwack General Hospital in early 2011. This project was a 8 feet in diameter by 4 inches thick spindle whorl, and can now be viewed at the Chilliwack hospital in its new emergency area. Since then I have been busy improving my skills as a carver, working and striving to be better with every project I take on as an artist.

Photo credits: Carving on the Edge Festival

Bending Bent-Wood Boxes Demonstration (session 2)

Join the Carving on the Edge Society and Peter Wayne Gong in this 1h demonstration of how to bend bent-wood boxes.

Event by donation

Peter Wayne Gong

I grew up in Ruskin, B.C. on the Whonnock Reserve #1. My family on my mother's side are direct descendants of the people who lived on the Stave River, a tributary of the Fraser River. Though I grew up in Ruskin, I am a member of the Squamish Nation, which is situated in North Vancouver, B.C. As a child I spent many days on the Fraser River netting salmon with my uncle. He would set his net, and we would wait for the floats to go down. This would indicate salmon hitting the net. During this time, my uncle would tell me the stories that were passed on to him.

Since then, I have had a strong interest in my culture. I first started to learn to carve when I was a teenager. I learned from my uncle, Jack Miranda. He taught me how to carve ivory and wood and how to make my own tools. I now carve mostly red and yellow cedar, as well as alder and birch. I also have to credit my two teachers, Sean Hinton and Tom Patterson, for the progress I made with my art in the last two years.

As an artist I want every piece to be better than the last and always strive to do the best I can. Since 2009 I have worked with my nephew on two projects as a volunteer. The first was a house pole that was gifted by Mission City, B.C. to its sister city, Oyama, Japan, where it now proudly stands with Mt. Fuji in the background. The second project was two welcome figures, one male and one female, 18 feet tall and 3 1/2 feet in diameter, carved for B.C. Hydro for the 2010 Olympics in Vancouver, B.C. They now stand welcoming guests to B.C. Hydro's main office foyer in Vancouver, B.C. I also worked as an apprentice for George Pennier on a project for the new emergency waiting room at Chilliwack General Hospital in early 2011. This project was a 8 feet in diameter by 4 inches thick spindle whorl, and can now be viewed at the Chilliwack hospital in its new emergency area. Since then I have been busy improving my skills as a carver, working and striving to be better with every project I take on as an artist.

Photo credits: Carving on the Edge Festival

Lino Carving and Printmaking with Ivy Cargill-Martin

Join the Carving on the Edge Society and Ivy Cargill-Martin to design, carve, and print your very own Linocut! For all levels of experience.

All supplies provided.

Event by donation

Ivy Cargill-Martin

Born and raised by two very artistic parents on the west coast, I’ve watched and participated in many different forms of art. From a young age I’ve always had a fascination with art, whether it be drawing, painting, or crochet. Along the way, I was presented with many opportunities that have helped shape me as a person and artist. In 2015, I was presented with the opportunity to participate in one of Mark Hobson’s painting workshops and to woodblock print with Dan Law at the Carving on the Edge Festival. I was also invited by Marika Swan to assist with the Nuu-chah-nulth Living Archive, a project of Carving on the Edge, to explore the depths of the Royal BC Museum in Victoria in what I would call ‘inspirational field work’.

I have taken a Graphic Recording workshop and have dove head first into this method of arts-based community facilitation. I love the practice because it reminds me of how our people would have recorded things in the past. For instance a totem pole tells a story or a legend - Graphic Recording allows me to tell the story of a meeting or conference. I have been able to bridge language and art by facilitating graphic recordings for the Tla-o-qui-aht First Nations band office and the Alberni-Clayoquot Regional District’s Coastal Community Garden Initiative.

I’ve also had the chance to help coordinate a series of small murals that are now hung at the Wickaninnish Community School garden. The students painted and decorated the panels after I came up with the different designs, creating a flowing piece of art against the fence. The mural represents Indigenous foods of our region. Collaborating with two local businesses, Reika and Porkchop Prophecy, I designed a shirt to spread awareness about Indigenous Lives Matter with all of the profits going to Tla-o-qui-aht Tribal Parks so they can continue to protect our land. I’m looking forward to what the future holds.

Photo credits: Carving on the Edge Society

Small Town, Big Picture: Tofino Raincoast Education society West Coast NEST — Small Town, Big Picture: Tofino - Ambassador Program
May 12
This FREE three-hour orientation session delivers the “big picture” of living in Tofino.

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